Vanity Fair 2007March-Killers Kill,Dead Men Die.

從幕後花絮影片得知，相機=Canon 1DsII，燈光=Profoto偏軟調的傘與box
都不是驚世駭俗的東西，box甚至還算不太有個性的光源。
KKDD這單元的影像風格=Annie Leibovitz+Pascal Dangin
（Vanity Fair沒說，根據Pascal Dangin的服務名單推測）
讓照片變得撲朔迷離的是Pascal Dangin
硬著頭皮拼命想Annie怎麼"拍"出這種畫面，不會有結果的。
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紐約時報這麼介紹Pascal Dangin/ March 3 2003 By Kate Betts
Madonna and J.Lo depend on him. Annie Leibovitz and Steven Meisel won't print a picture without him. Anna Wintour and Graydon Carter shell out thousands of dollars a year for his services. He's arguably one of the most powerful men in fashion, but he doesn't sit in the front row or wear designer clothes, and you won't find him on the Style network offering deep thoughts about Gwen Stefani's Super Bowl outfit.
Come to think of it, though, there is probably no one who has such a close knowledge of Gwen Stefani, down to the pores of her powdered cheek.
This behind-the-scenes magician, more intimate with celebrity flesh than a personal trainer or a masseur, is Pascal Dangin, the digital retoucher for fashion's and Hollywood's most famous photographers.